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The Grassroots Shakespeare Company's annual contribution to the love season! If you've never seen a Grassroots show before then it's time to grab the cutie, hottie, babe, hunk, vixen or bae of your choosing and come celebrate love and mischief with the best darn Shakespeare troupe to ever exist since the King's Men themselves! At a Grassroots show, you'll experience theater the same way they did in Ye Olde Elizabethan England! This means: No director, no costume designer, and no fourth wall and more! Pure, unfiltered scripted chaos-- the way the bard himself probably did not intend, but was subjected to nonetheless, quite constantly.
And for those of you skeptical that Much Ado About Nothing contains the multitudes of intrigue required to get your salacious rom-com dopamine hit, let me assure you that this show has all the scandal of 'Real Housewives,' all the Mischief of 'It's Always Sunny in Philadelphia' and all the fine investigative police work of 'Law and Order'!
Come on Valentine's Day to get the Saint Valentine's Special featuring a meet and mingle with the cast, a rose for you and your special boo, and other various pamperings of the valentinic persuasion.
GET YOUR TICKETS NOW!
Autumn has graduated.
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Kira has recently left the world of soup wrestling (entirely on their own and not due to certai
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Kira has recently left the world of soup wrestling (entirely on their own and not due to certain scandals you may have read about involving accidentally pantsing The Pope) and has embarked on their new career where they fight Time Square Elmo's for pocket change. Some might see this as a step down from "soup wrestling." Those people are wrong and Kira has much leftover soup to throw at such maligning besmirchers
Goldie is ecstatic to be in a Grassroots production after years of watching inspiring productions. Goldie has been immersed in the theater world ever since she was young. She saw “Singing in the Rain” by some highschool in 4th grade and said “This is the meaning of life. I’m doing this” and she did. Some of her roles include Bet in Olive
Goldie is ecstatic to be in a Grassroots production after years of watching inspiring productions. Goldie has been immersed in the theater world ever since she was young. She saw “Singing in the Rain” by some highschool in 4th grade and said “This is the meaning of life. I’m doing this” and she did. Some of her roles include Bet in Oliver, as well as the choreographer for the show. As well as Ophelia in ‘Hamlet’, Mrs. Webb in ‘Our Town’, and ensemble in ‘The Little Mermaid’. She has graduated from the American Fork Conservatory of Performing Arts, and attends UVU. She was in the UVU Rhythmic Tap Company for a semester where she adored choreographing with her team. She has loved this experience and is craving more Shakespeare than ever!
November has been watching GSC perform with starry eyes since their first performance of Much Ado About Nothing around 2009. Now that they actually understand what the characters are saying, their love for Shakespeare has only grown. Their performance as Claudio has taken them back full circle to the show that started it all, and they co
November has been watching GSC perform with starry eyes since their first performance of Much Ado About Nothing around 2009. Now that they actually understand what the characters are saying, their love for Shakespeare has only grown. Their performance as Claudio has taken them back full circle to the show that started it all, and they could not be more thrilled!
Outside of theater, you can catch November performing in drag shows, playing at open mics, experimenting with makeup, felting, embroidering, drawing, and god knows what else by now. They can’t wait for people to see the show, and they hope to infect more innocent people with the disease of thespian-ism, as was done to them.
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Bethanuel Cheese McGriddle (TM), as you surely know, was raised by the mole people deep within th
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Bethanuel Cheese McGriddle (TM), as you surely know, was raised by the mole people deep within the earth. It is unclear whether she is, herself, a mole person. Since challenging the Mole King and earning passage to the overworld, Bethanuel has found it difficult to right the wrongs of the overworld. They continually get distracted by shiny things, soft things, round things, squishy things... really just most things. They have found that The Sun is an unruly tyrant that oppresses this world from their throne of lies in the sky. Her new mission is to defeat The Sun. While efforts to do so have been thwarted thus far, she remains vigilant and busies herself with a new contraption that will either defeat The Sun or turn out to be a model train set. Progress is promising.
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Katherine Moulton refuses to leave the lab until they have perfected the ultimate chicken. A chick
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Katherine Moulton refuses to leave the lab until they have perfected the ultimate chicken. A chicken that can perform calculations greater than any super computer and yet love as sincerely as the ocean is deep. A chicken that will envelop the world in their loving bosom, subduing our violent nature with sweet breathes of wisdom. The chicken will defeat darkness and lift light into the ether for all time. Once Katherine has achieved this noble pursuit, they're going to get full-on blasted and make out with a stranger on the beach.
Eleila is thrilled to get back on the stage after a 3 year hiatus, and is super excited to get her Shakespeare back on! She comes with many years of both improv and Shakespeare experience, and all the silly voices one could want. Here's looking forward to more Grassroots shows to come!
Cilla is thrilled to be with Grassroots after being a fan for years. She made her stage debut at age three as “Russian Baby in Head Scarf” and went on to appear in toy commercials, variety shows (it’s an 80’s thing), and music videos, in which she perfected the art of not looking into the camera. As an adult, Cilla has worked in scenery
Cilla is thrilled to be with Grassroots after being a fan for years. She made her stage debut at age three as “Russian Baby in Head Scarf” and went on to appear in toy commercials, variety shows (it’s an 80’s thing), and music videos, in which she perfected the art of not looking into the camera. As an adult, Cilla has worked in scenery for TV, theatre, amusement parks, and haunted houses. She is a student at UVU, teaches acting at Utah Conservatory of Performing Arts, and is obsessed with watching classic Universal monster movies on a tube TV.
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Chase has an incredible back tattoo of a dinosaur battling a gas supergiant. You got to see this t
Here at the Grassroots Shakespeare Company, we do not believe in shaming our actors for not submitting their bios. We simply consult The Orb to determine what their bio would look like, had they submitted one. Here's what The Orb had to say:
Chase has an incredible back tattoo of a dinosaur battling a gas supergiant. You got to see this thing. It is wicked sweet. When chase is not adding to their back tattoo, they can be found playing eerie harp in the woods to voodoo dolls they fashioned from litter. You may be one of them.... Do you hear ghostly, atonal sounds drifting in the wind? Do you sometimes feel the breeze in your bones as if their was a doll of you made of discarded straws? If so, then you should really ask yourself if you properly APPRECIATED Chase's back tattoo and maybe that's what you did to FORCE Chase into making a voodoo doll of you from trash.
Gary has done a bajillion Grassroots shows and you've seen him, that's great and all but none of that matters, what's really important is that he's a new dog dad and is never going to stop using the term, no matter how many people it annoys. Her name is Truly-- I like it, it's a good name, I did want to go with Collossus-Nuculoso Destroye
Gary has done a bajillion Grassroots shows and you've seen him, that's great and all but none of that matters, what's really important is that he's a new dog dad and is never going to stop using the term, no matter how many people it annoys. Her name is Truly-- I like it, it's a good name, I did want to go with Collossus-Nuculoso Destroyer of Bad Vibes, but my partner pointed out that that wouldn't fit on the leash tag, so we went with Truly. Truly is a pomeranean, which makes me nervous because that sounds like a delicious Italian dish, and no ones eating my dog, by gum, so I'm gonna lie and tell people that she's a floofy-woofy breed because that's what she looks like and no one actually knows anything about dog breeds, they're all pretending, so people will definitely buy it, I'm sure. Truly joins our gremlin dog Wookie (I'm still not convinced he's a dog, but we love him regardless) in our lil household. Truly is so cute you guys don't even know and I love her and I'm gonna spoil the poop outta this dog because I am a reckless and irresponsible human being, unlike Truly , who is perfect (but also not a human being).
Adrian Montclaire is a composer, producer, singer, visual artist, and reptile enthusiast who sometimes pretends to play the mandolin. A graduate of Utah Valley University’s commercial music program, Adrian produces music for various local artists, leads the scooby-doom band Traumagician, and, if grad school applications go well, will be
Adrian Montclaire is a composer, producer, singer, visual artist, and reptile enthusiast who sometimes pretends to play the mandolin. A graduate of Utah Valley University’s commercial music program, Adrian produces music for various local artists, leads the scooby-doom band Traumagician, and, if grad school applications go well, will be living the heavy metal dream in Finland by August 2025, never to be seen in the US again except as a touring rock star. Adrian teaches composition, music productihon, and songwriting lessons; book a free consultation at lessons.adrianmontclaire.com.
The Grassroots Shakespeare Company is a 501-C3 non-profit formed in 2009. In that time we have dazzled audiences and shattered expectations about what Shakespeare is. We use grants and donations to bring performances to Utah schools and to bring our two yearly Summer Tour shows to parks absolutely free.
What does your donation do? Your donation helps us bring quality educational theater to schools all across Utah with our Educational Tour. It helps us bring free performances to parks all across Utah every Summer. It helps us keep ticket prices low for our few ticketed performances, and offer student discounts. It helps us find the highest quality talent by being able to pay our actors. It goes to helping us broaden our reach so that more people can finally understand Shakespeare and see it the way it was meant to be seen.
Even a few bucks can go a long way, so please hit that donate button and be a Bona Fide friend of the Bard!
Your donations are vital to helping us keep our company running and fulfill our mission statement! Even a little bit helps!
Grassroots Shakespeare differs from modern Shakespeare in a couple of key ways. When you see Shakespeare performed in modern times, it is much like seeing any other play-- people gather and take their seats and watch silently, perhaps occasionally clapping in-between scenes. However, this is not the way that Shakespeare was written. Shakespeare was written at a time when there was no fourth wall-- It had not been invented yet! This means that your average theater goer had no inhibitions whatsoever about telling the characters on-stage exactly what they thought about what was happening. Shakespeare knew this and actually wrote his plays with the audiences reactions in mind, even to the point that many lines which appear not to be in iambic pentameter actually are so once the audiences response is present! In Grassroots productions, our actors will speak most dialogue out to the audience, using a technique called 'direct address.' This makes the audience go from being mere spectators to active participants in the play.
Original Practice is when you remove that fourth wall, going back to the Elizabethan theater experience! While this is one of the main thrusts of the Original Practice experience, it is not the only one. Original Practice also means that their is no director. In Shakespeare's day, the play was put on collaboratively by the actors. Likewise, our casts make all of the decisions for their characters themselves-- with the help and council of their castmates. While this means you won't get a singular vision that a director might bring, it does mean that you get the best ideas to bring the text to life from many minds instead of one.
No costume designer! In Shakespeare's day, all costumes were created by the actors for their own characters. Additionally, in Elizabethan times, there was no period costuming-- actors wore whatever conveyed key elements of their characters best, with no special regard to time period or place. Likewise, you might see our 'Prince' from "Romeo and Juliet" as a bicycle cop, or 'Tybalt' as a 1950's greaser.
No set! In Shakespeare's time, there was no set, just a wooden stage adorned with only a few practical measures, like a log to sit on or perhaps a wand to lull characters to sleep.
Genderblind casting-- In Shakespeare's time, women weren't allowed on stage! That's right-- All women characters were actually played by men! In that same spirit, in a Grassroots show, women will play men, men will play women and everything in-between!
A shorter rehearsal period? That's right-- Shakespeare's troupe, The Kings Men, would memorize their lines beforehand and meet sometimes only the day before to go over fights and dances. At Grassroots, our rehearsal period is kept minimal to allow for spontaneous choices and authentic reactions. This is also an important part of the actor-audience collaboration-- every show is going to be different because the audience will be different-- there is little to be gained from hours of rehearsal if the audience is going to cause an actor to make different choices than they made in rehearsal!
Our talented cast hard at work to bring you another quality Grassroots production. Music by Gary Argyle.
William Shakespeare (Othello)
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For inquiries about our Educational Tour or to book us for your school, institution, library or event, contact: